Wonder Journal #2: Art and Science

Image credit: Pinterest
Image credit: Anonymous EKTEP student

This week, our science class tried several fun and engaging activities involving colour mixing and surface tension. These activities were so fun, in fact, that I forgot to take pictures of them because I was so immersed! Thankfully my classmates did the job for me and were kind enough to share, so I can show you what we got up to. I will also be writing out simple instructions as I would like to bring the first activity into the classroom one day and will need reminders of the process.

Image credit: Anonymous EKTEP student

For the first activity, we mixed up three small cups of water and food dye to represent the primary colours, and had one pipette for each cup. We took a piece of cardboard with a blank white paper taped on top (to provide a clearer view of the colours that would be placed on top later), and covered it with wax paper which was taped to the underside of the cardboard. In groups of three, we experimented with placing droplets of colour water on top of the wax paper, as we were encouraged to do. Our instructor prompted us to investigate how many water drops could be put together in one “puddle” on the wax paper before it split into two. As we tried this, we naturally began mixing colours and created a rainbow using secondary colours, and soon were creating tertiary colours as well. This was a seemingly simple play activity, but my group organically started noticing many interesting phenomena on our own in the way the droplets behaved.

Some of our observations were:

  • Some of the colours mix more fluidly inside a two-colour droplet than others
  • Despite having equal amounts of dye in each cup, some of the coloured droplets are able to let more light pass through than others
  • Even the smallest bump or fold in the wax paper will dramatically shape the puddles of water that are created
  • Individual droplets can often stay put, while bigger puddles flow more quickly to the lowest point
  • The yellow dyed water has a very fluorescent quality, unlike any of the other colours
  • The wax paper mostly resists the water, but it can still be stained by the dyes in the droplets
  • Droplets that are placed close enough together will combine into one bigger droplet
  • Droplets and puddles always have a rounded shape on top and on the edges where the water meets the surface
Image credit: Anonymous EKTEP student

I was pleasantly surprised at how many observations about the properties of water and of colour happened in those few unstructured minutes of play. The most exciting thing this time reminded me of was how intertwined art and science are. I have always loved both, but rarely have had teachers recognize what the two “separate disciplines” have in common. When I reflect on the list above of observations, I can not tell you which ones are “artistic” or “scientific”: they are all fully both. When I think about the quote from Isaac Asimov at the top of the post, it reminds me of a podcast episode (yes, another podcast) I was listening to yesterday from NDN Science Show (created by Annie Sorrell and Loga Fixico) about the differences and the overlaps between Indigenous approaches to science and western approaches to science. Stay tuned for the next post, where I will tell you more about that!

EDCI 330 Reflection #1: Teacher Worldview

Image credit: Unsplash

“In all affairs it’s a healthy thing now and then to hang a question mark on the things you have long taken for granted”

-Bertrand Russell

Teacher Identity

  • What does it mean to be ‘effective’?

I feel that to be effective as a teacher is to strike a balance of delivering the highest quality of learning for the most students, while not spreading yourself too thin. I have a suspicion (held by others, as you’ll see in this BBC article) that in women-majority careers like teaching, extra unpaid labour is an expectation- not just of women, but of all teachers to varying degrees. I imagine this contributes to the high rate of burnout and of leaving the profession, and I’m sure we can all agree that a burnt out teacher (or one who has left teaching to become a dentist) is no longer an effective teacher. I firmly believe that effective teachers set boundaries and put themselves first so they have more to give.

  • What characteristics does an effective teacher have?

Effective teachers are self-confident, because they prepare in advance and remain flexible when change arrives. They are also self-confident because they know that even if things “go wrong” in the classroom, they are capable of remediating it. This is because they have strong subject matter knowledge in what they teach, and strong interpersonal skills. This confidence allows students to have trusting relationships with teachers, and those trusting relationships let teachers do their job more effectively. Effective teachers are so many other things too: gentle, fair, respectful, attentive, honest, caring, humble, reflexive, open-minded, loving, creative, resourceful, hard-working, and dedicated. I think that for elementary and middle school teachers in particular, a key ingredient to effectiveness is being fun and being able to have a laugh. And last of all, an effective teacher is someone who knows you can’t pour from an empty cup.

  • What kind of teacher do I want to become?

I want to become a teacher that is kind, that takes good care of myself and my community, and as I’ve decided most recently, a teacher that is fully myself. That last one may sound odd, aren’t I already “myself”? What I mean by this is that I do not want to have a professional identity that doesn’t represent who I really am. Because I am a nonbinary person, sometimes I feel uncertain about how to present myself in schools. What do I wear? How do I introduce myself? What do I say when students ask me what my pronouns are or why I “look like a boy”? I used to be afraid to answer these questions, and would spend so long getting dressed for in-situs for fear of looking “too unconventional”. I am finding ways to balance these anxieties with the knowledge that if a school can not support me being who I am, it is not a school I am meant to teach at. In other words, I want to be confident in myself.

  • What do I need to learn to become an effective teacher?

I need to learn to develop a work-life balance, especially since I have struggled with this in the past. I also believe classroom management strategies will be crucial, particularly the ones learned and practiced through experience. I will need to learn strategies to support EAL (English as an Additional Language) learners, and to adapt day plans or lesson plans on short notice.

  • What are my beliefs about teaching (my teaching philosophy)?

I believe teachers have to be strong leaders, as they have the responsibility of cultivating safe, loving, and informed communities. This includes being positive role models, supporting fellow teachers, protecting students from harm, and helping students develop the tools necessary to live the lives they wish. I think teachers must be committed to curiosity, which means not just accepting new information, but actively seeking to understand the world and to learn and share truths.

Reflection

  • What is a worldview?

I think of each person’s worldview as the set of their answers to the “big questions” in life (which of these questions are asked can differ depending on one’s worldview, so perhaps my definition needs some work). Some examples of what I believe to be the “big questions” are: “What is your purpose in life?” “How did the universe come to be?” “What happens after you die?” “What is right and wrong?” “What is normal?” “Who is most important in the world, and in what order?” and “How can we determine what is true?”.

  • How would you describe your worldview?

I would partly describe my worldview by sharing things are very important to me: Indigenous sovereignty and Indigenous rights, antiracism, women’s rights, disability justice, queer rights, and environmentalism. I carry these ideas with me when I make decisions about spending money, voting, choosing words, and traveling; They affect my decisions and perspectives even when I am not consciously thinking about them, although it was not always that way. The layers of my worldview that I see as more inherent are European/settler Canadian, colonial, agnostic, spiritual, and politically left-wing.

  • While thinking about your own worldview, also consider the impacts of your ethnocultural, socioeconomic, geopolitical and spiritual identities.

I am a white person who is descended from Irish and Scottish colonizers. I was raised by a loving, middle-class, white family who identifies mostly with “Canadian” culture, although we feel slightly connected to Irish and Scottish cultures too. Because of this, I turn to history and folklore (rather than religion) for spiritual answers, and being a good host with a tidy home and sense of humour is important to me. My grandparents have taught me that we value hard work, financial independence, formal education, and toughness through difficult times. I grew up in a suburb surrounded by people with very similar identities and upbringings to me, so I inaccurately view myself as the “default” much of the time.

  • Why, as a teacher, is it important to be aware of your own worldview, as well as those of your students and school community?

It is essential for me to be aware of my own worldview because it affects what material I choose to teach, when and how I teach it, who I choose to learn from, who I include my classroom, and how I carry myself. In my school community, every person deserves to feel understood and respected, and understanding and respecting their worldviews demonstrates that.

  • What can you do, as a teacher, to ensure that your worldview does not impede the success of the diversity of learners in your classroom?

To do this, I can choose to honour the responsibility of being a lifelong learner every day, by remaining curious and always being prepared to change. I can read, listen, and watch media and have conversations to advance my understanding of others’ worldviews, and I can do the same to examine the parts of my own worldview that I am blind to or accept as the norm.

  • When do you consider it to be necessary to challenge the western worldview as it impacts the K-12 education system?

I consider this to be necessary every day, in every subject, and in how I carry myself as a teacher both in and out of work.

  • What aspects of the BC curriculum reinforce or challenge a western worldview?

An overarching aspect of the BC curriculum that is very western is the fact that each subject is divided into a separate category, and each grade is separate as well. Another is that English and French are prioritized, while languages that are not European in origin only become available in grade five. Indigenous languages are virtually non-existent in the curriculum. The Applied Design, Skills, and Technology curriculum reinforces capitalist (typically western) values as well. I see that there are many areas where Indigenous topics, knowledge, and subject matter are included or even inform the broader curriculum design, but I do not feel that it is actually challenging the western worldview. I think it is more of a tiny nudge, hopefully one in a series of many potentially bigger nudges.

Wonder Journal #1: Exploring Properties of Matter

Image credit: Unsplash

When I was a little kid, I had the privilege of a stay-at-home mum who was very crafty. She would set up something called “science day” for my sisters and I every once in a while, and we absolutely loved it. “Science days” looked something like this: a kitchen floor covered in an old bedsheet, topped with a box of food dyes, baking soda, vinegar, straws, dish soap, cornstarch, a very large orange plastic bowl, some baking trays, and spoons. We would stir, squish, and spill until we had created some new toxic waste for my mum to clean up, but it really was meaningful. I still remember the perplexing texture of cornstarch with water, the sizzling sound of baking soda and vinegar, and the way one drop of red would turn dough pink. Because I had such rich experiences where I was able to freely explore, I was disappointed and confused when I did “real science” in school, and exploring (for the most part) was no longer allowed.

Image taken by myself, 2025

This is why I was thrilled when my elementary science instructor pulled out a set of mysterious boxes for us to investigate, as our students would, using our senses. The goal was to make predictions about the contents, the only rule was “don’t open the box”. I had almost forgotten that “real science” could be playful, imaginative, and creative. On top of that, I think this exercise perfectly embodies universal design for learning. Any student could participate in making predictions, because the task is so open, there are as many ways to study the object as one could dream up. Throughout my class, I noticed people shaking, sliding, weighing, listening to, and even smelling the boxes to collect data on the contents- these strategies probably just scratch the surface of what kids could come up with if they were presented with this activity.

When I came home from class, I compared this activity against the BC science curriculum, as I was wondering what age range it would be most applicable to. To me it seems most relevant in kindergarten, when matter is first being explored, but I can imagine it being adapted across several grades when studying Earth sciences and botany. For example, I could see the boxes being filled with a variety of substrates, such as sand, shale, clay, peat, soil, and silt, and students devising tests to determine their contents. I will be teaching Earth sciences this spring during practicum, and am considering how I can find similarly hands-on and open tasks where students can let their natural curiosity guide them. My childhood self that loved “science days” so much would be thrilled to see science instruction moving in this exciting new direction.

Links: https://curriculum.gov.bc.ca/curriculum/science/k/core

The Book That Changed Everything

This semester, I’ll be documenting my learning through the course Reading Instructional Principles and Strategies on this blog. This week, I’ll be responding to this reading interest survey, taken and adapted from the textbook Sometimes Reading is Hard by Robin Bright (2021) with an emphasis on the first question (I am so excited to talk about fairies!).

  1. Describe your ‘one book’ that changed everything for you as a reader.

My ‘one book’ was Return to Fairyopolis (Cicely Mary Barker), gifted to me by my parents when I was about six. I was a very reluctant reader (to put it gently); I remember howling in anguish and crying when I was asked to practice reading aloud at home, even shutting myself in my room and holding the door closed once or twice. I was bursting with energy and creativity, and I did not want to waste my precious time on reading when I could be making art, exploring, or playing pretend. For those reasons, this book was exactly what I needed. I loved it so much because it engaged my senses and emotions in a way that traditional books rarely did. The front cover had an insert that revealed a hidden image when turned from side to side, encouraging me to pick up the book to begin with. It featured beautifully detailed illustrations of fairies dancing across the pages, leaving textured glitter behind as they flew. Many pages included interactive elements, such as tiny doors, pressed flower petals to be lifted, envelopes to be opened, and strings to be untied, revealing letters inside which I would read before tucking away.

This epistolary book blurred the lines between text and illustration, placing the illustrations woven between, even interacting with, the elegant handwritten text. This sparked my curiosity, inviting me to make the jump from using images to guess at words to truly decoding. Even though some of the words used were far too challenging for me, or were written in scripts that were hard to read, I genuinely wanted to understand them because real fairies had left them behind as clues for me. The scrapbook-style pages spotted with ink, tea cup circles, and pressed leaves reinforced the effect that the text wasn’t just an explanation of the illustrations, it was part of them and they were both needed to understand the story. The final page revealed a pop-up world of fairies, complete with enchanting music that played from a small battery in the back cover. This made the work of decoding the text incredibly rewarding, and kept me re-reading it, understanding more layers of meaning as my patient parents helped me with the words. I still had a brief period of reading struggles after discovering this book, but it has always stayed in my heart, reminding me of how magical books can be when you invest your time in understanding them.

  1. How do you feel about reading? Tell me about it.

I have very positive feelings about reading. It is something that I have felt confident in doing since the end of my grade three reading tantrums, and I particularly enjoy reading out loud to others. I find reading fun and relaxing, and some of my favourite moments in life are when I get the time to read in the forest in my hammock. I even enjoy reading most of my textbooks! Aside from personal enjoyment, I feel positively about reading, because it can be a low-cost, high reward activity for people of all ages. The unfortunate part is that I am quite a busy person, and I do not often make time to read.

  1. What types of books do you like to read?

I usually read expository or creative non-fiction books, but I also enjoy fiction sometimes. I do enjoy browsable books as well, and graphic novels or art collections.

  1. List some hobbies and things you like to do outside of school.

I enjoy fashion and interior design; I am always at the thrift store looking for treasures to add to my closet or walls. I love to be outside, biking, swimming in lakes, or hunting for rocks and gems. I dance and make art, and I always hope to do both of those more. Most recently, I’ve been having lots of fun learning to do drag makeup.

  1. Who are your favourite authors?

For how little I read, I have a relatively long list: Edward Gorey, Ibram X. Kendi, Robin Wall Kimmerer, Billy Ray Belcourt, Layla Saad, and Shaun Tan.

  1. Tell me a bit about the last book you read that you really enjoyed.

I am currently working through The Body Keeps the Score by Dr. Bessel Van Der Kolk. Some parts I find difficult to read as they are quite emotionally intense, but it is very informative and helpful to my work as a teacher.

  1. Tell me a bit about what you have been doing since last semester during your winter break. How have you been spending your time?

During the winter break, I visited my family and friends which was wonderful. Since coming home, I have spent most of my time doing schoolwork and working at my job. I am really looking forward to when I have time to do other things too. I have also been outside quite a bit (perhaps the reason for my never ending cold).

  1. What subjects or topics do you like learning about?

I like learning about so many different things: fashion and fashion history, ethnobotany, Ktunaxa language and culture, visual arts, current events, Celtic fairytales, deep sea creatures, rocks and gems, astronomy, just about everything!

  1. If you could read a book about one thing, what would that be?

Chinatown Pretty: Fashion and Wisdom from Chinatown’s Most Stylish Seniors (Andria Lo and Valerie Luu) is one of my favourites. I would absolutely love to find a similar book if it is out there, but if not, I will just hope to find it again one day to re-read. Below is a video where Andria and Valerie explain this gem of a book:


Chinatown Pretty by Andria Lo and Valerie Luu, Chronicle Books

Inclusive Technology in the Classroom Project

Here are the links for my technology class group project on “inclusive technology in the classroom”. We created a presentation on Google Slides, and four mini podcast episodes on Screencastify. In our project we talk about four categories of inclusive technology: tech to support visual impairments (episode 1), tech to support nonverbal communication (episode 2), tech to support d/Deaf students (episode 3), and tech to support bilingual students (episode 4). Each one of my group members researched one of these categories; I looked into tech for supporting d/Deaf students in the classroom.

Linked below is our Google Slides presentation:

https://docs.google.com/presentation/d/1RomBksfSkCHPTzmWut4DIMlJGSk5KVf4nt423txO75o/edit?usp=sharing

And our podcast episodes:

Episode #1: Assistive Technologies for Visual Impairments

Episode #2: Communication Devices

Episode #3: Technology for d/Deaf Students

Episode #4: Technology for Bilingual Students

Thanks for listening!

8th Weekly Reflection

(Response to prompt #4: Outline screen-free coding and why (or why not) you think it should exist in the classroom)

The idea of screen-free coding was completely new to me this week, so I did a bit of reading on it outside of class to better understand what it was all about. As you can see in the above picture, learning to code does not always involve a computer! I found the article linked below interesting, and it gave lots of fun and simple ideas of screen-free games for kids that teach coding skills.

https://www.robowunderkind.com/blog/diy-coding-activities-for-kids-without-screen

Out of curiosity, I looked at some screen-free coding teaching tool/lesson plan bundles on Canadian Classroom. I really liked the look of the “Bee Bots” for younger primary students, I would love a set one day (linked below for my wish list, or yours). I think I liked the Bee Bots so much because they reminded me of more traditional children’s toys like the yellow bus pictured below- I tend to feel put-off by coding activities for kids that look to “grown up” and robotic because they don’t fit into my (perhaps outdated) idea of what is fun for kids.

https://www.canadianclassroom.com/collections/robots-for-coding/type/screen-free/bundle-4-bee-bots-and-korbo-430.html

Screen-free coding as I now understand it is any activity that relies upon and teaches fundamental coding skills without using a screen. Some screen-free coding activities use electricity, such as Bee Bots for example, and others use very basic technology without electricity, such as gears and cogs. But some of these activities are so simple that essentially no tools are needed- such as the chalk-and-water gun coding activity in the first linked website. There’s a huge range of potential ways to code screen free for all age and ability levels.

I had to sneak a little joke in here, so there’s a picture of hopscotch- which I think could be turned into a screen-free coding activity, but is also a coding language and app for kids (linked below).

https://www.gethopscotch.com/
Anyhow, now that I have a decent understanding of screen-free coding, it’s something I will definitely be bringing into my future classroom. I think it’s great for so many reasons, but here’s a few:

  1. Students need to be technologically literate to make it in nearly any part of today’s job market, and knowing how to code is a huge asset
  2. Screen-free coding is a fairly palatable, easy to grasp way to introduce a very large skill set that some people view as unimportant or out of reach
  3. Coding without screens is often much more affordable and accessible than coding with them, especially when working in the public school system
  4. Students today tend to spend a lot of time on screens, which is not the best for their development in many ways- having screen-free moments whenever possible, especially when they can incorporate the fun parts of screen time, is what we need
  5. Tools and methods for screen-free coding often don’t have the limitations of wifi connection, water sensitivity, fragility, and battery life that coding with screens does
  6. Coding without screens can bring kids outdoors more and teach them how foundational coding skills apply to real life scenarios such as games, cooking, driving, visual art, and more

So, I guess I am a coding convert thanks to screen-free coding! I’m really looking forward to learning more about this topic, and eventually finding my own ways to build activities centred around it.

6th Weekly Reflection

(Response to prompt #1: Use Gibbs’ Reflective Cycle to discuss your in-situ at Gordon Terrace Elementary School this week.)

This week I used Canva to create a graphic for my post. I certainly learned a lot about Canva and feel much more comfortable using it now. I found this tutorial playlist particularly helpful:

7th Weekly Reflection

(Response to prompt #1: Describe the SD#5 Design Lab. How does it fit in with ‘Innovation in Education’? What stood out to you? Which activities did you choose to do? How do you envision using this space with a class? What sort of project would you choose to do?)

Wow, my experience visiting the SD#5 design lab this week was so fun! I went into it as I usually do with technology (feeling a bit uncertain and not too optimistic), but I left with a changed outlook on technology- which is a recurring theme through tech class this semester. The stock photo above is pretty close to what I imagined when I heard we were visiting a technology-focused “design lab”, but now it’s another funny example of my misconceptions about technology. The design lab wasn’t a room full of computers glowing with eerie blue light, it was a welcoming and engaging learning space that I imagine most students would like to be in. There were all kinds of physical toys and tools for student exploration, and some of the set up tech stations did not involve screens at all. This to me is exactly what innovation in education should mean: teaching students about experimentation, scientific thinking, problem solving, all while encouraging them play and be creative. I found the lab really exciting, and I will go in depth on each of the stations I visited next. Below is a picture I snapped of our host’s smart board while explaining the design process, and it really represents what I want to teach students about technology in all of the following stations.

First, I visited the Bambu Labs 3D multicolour printers in the back of the room. While I was not able to use these printers today, our host let us know that students often operate these machines and use them to create toys or holiday ornaments to take home. I love that this technology is included in the lab to be used by all students, students who can’t afford memberships to maker spaces would likely never get to 3D print something to take home. I like how this is being put in everyone’s hands to learn about.

I went to the 3D printing pen station second, because I love making visual art. I had never used one of these neat gadgets, but I found them quite easy to operate and really enjoyable. I think this would be a perfect art class activity for any age, because it is a unique combination of “drawing” and sculpture, and is such a fun demonstration of how art and technology work together. I’d especially like to use the pens for a primary grade art class before introducing 3D printers, because I think it would be a nice starting point to introduce how 3D printers work in a way that would be easier to grasp. I also think it would be nice for students who do not feel as comfortable with art, because there are lots of templates and moulds to use and the outcome can be aesthetic, functional, or both. Some of the templates and moulds are pictured above, and the spider web I made for my halloween costume is pictured below. What really stood out to me about the 3D printing pens is how affordable and easy to use they are.

Next, I checked out the lego Spike and BricQ station pictured above. I did not have enough time to dive into this one, but the concept is that students use these kits to build lego creations that can swing, spin, drive, walk, etc. either with of without electricity. I love creating artistic things with lego at home, so I think if I gave this one another chance I’d be confident enough to use it in a technology and/or physics lesson with a future class. I really appreciate that the BricQ set is an “unplugged” activity that still fosters an understanding of physics and some aspects of technology. Over the span of a few weeks, I’d like to try both kits (likely with grade 6 or 7) and then compare the pros and cons of both kits. This could even lead into a social studies lesson about large-scale human use of electricity and its positive and negative consequences.

I also visited the lego “train station” and ran out of time to explore it, but I think this one looks like a blast for primary grades. I feel like this lego set could be great for a social studies lesson on city planning and transportation, or to introduce foundational math skills like spatial reasoning and problem solving. Our host explained that he often challenges students to build as many track loops as possible in the space of the table, and that activity would check those boxes while encouraging collaboration in teams.

Then, the VR goggles. These were quite interesting! I think I’d only used a VR headset once previously, so it was a bit disorienting for me- I almost walked into a pole. Oops! I played a game where I was in a witches’ castle making potions, and I found it quite confusing. It took me a good while to get a hang of the controls, but I’m sure it would be lots of fun for many students who are more familiar with VR, AR, and video games than I am. I have heard of teachers using VR headsets for virtual field trips with students. Although I usually prefer the idea of taking students outdoors, I think these headsets could be an accessibility and affordability game changer. Since we all have different needs and abilities, some students are left out of field trips because of things like mobility limitations, health issues, or social and emotional needs (anxiety, sensory overload, etc.). And since the sets are already owned by the school district, the cost is much lower that many field trips and can provide students with otherwise impossible experiences- perhaps a field trip to outer space? A journey to the bottom of the ocean? I would be thrilled at a chance to use these field trip ideas for science lessons. Below is a link to a website that offers these VR field trips, just for inspiration and an estimate of cost.

https://www.vrcore.ca/trips

The Pixicade station shown above was completely new to me, I had never heard of anything like this and still can’t believe it works. I would absolutely use this for a cross-curricular art lesson. I think the video game aspect and focus on function over appearance would appeal to many of the students who don’t feel included or confident in art class. It would be a great chance to teach primary students about types of lines and one-dimensional design, while still allowing plenty of room for the artistically inclined students to be creative.

Lastly, I visited the Ozobot station. I ran out of time to investigate these tiny robots, but I did get an explanation of a neat activity students can do with these. Since Ozobots can be programmed to follow specific line colours, students can get them to move in different ways according to lines they draw in front of the bot. For PE class this semester I prepared a warm-up with a game called “line tag” where students run on specific lines on the gym floor. I don’t understand enough about Ozobots yet to have a clear idea of how this would work, but I can imagine a cross-curricular lesson involving these similarities. Below is a link to line tag instructions, it’s a very fun game that I strongly recommend bringing into gym class.

I learned so much from this field trip, and I still have lots of questions about some of the technology being used. But I’m so excited that students have the chance to learn about these amazing new things, and I am looking forward to learning with them.

…And they lived happily ever after. (Free Inquiry Post #7)

Here is the link and a QR code to my drag character (Ella Minnow Pea)’s instagram profile. I have my first drag story time video posted, and will likely use it to post more in the future to build up my portfolio. I would love to do live drag story time at a local library one day, so I can use this account as a portfolio to show my work when potentially setting up an event with a librarian in the future. Again, the account is private for now, but if you are one of my teachers or fellow teacher candidates I will gladly let you follow and stay up to date with my story time drag adventures if you’d like to learn more.

https://www.instagram.com/mxellaminnowpea?igsh=MW93NXV0MzgwY3pydw%3D%3D&utm_source=qr

Thank you for reading along and learning with me, I really hope this free inquiry project has helped you understand and appreciate just how special and important drag story time is and why we need to protect it.

Introducing Mx. Ella Minnow Pea (Free Inquiry Post #6)

As you may know if you’ve been reading my incredibly exciting blog, my end goal in this free inquiry project is to create a drag character- one specifically made for drag story time- and start a digital drag portfolio. In this week’s post, I’ll explain the process of creating my drag character and setting up their Instagram account (aka digital drag portfolio, because this is technology class and if I can’t convert to a PDF I can hopefully make up for it by saying things like “digital drag portfolio”). Because I am not ready to deal with all the horrors of the internet, my drag profile is private for now. Here is a link and QR code for anyone interested, I will approve you if we know each other and I can trust you with drag matters.

https://www.instagram.com/mxellaminnowpea?igsh=MW93NXV0MzgwY3pydw%3D%3D&utm_source=qr

Now that I’ve got all that out of the way, I can introduce you to my alter ego, Mx. Ella Minnow Pea! Ella is a drag performer here to serve looks and read books, specifically to read high-quality books to children in an engaging and fun way. Ella’s look is cute, sparkly, and will probably incorporate more princess dresses in the future- and maybe some sparkly suits, if I can get my hands on them. I love traditional drag, but for Ella I decided to go with very soft and subtle drag makeup. Oh, and I just remembered that the honorific “Mx.” is new to some people, so if you haven’t seen it before, it’s just a way to refer to someone if they don’t want to disclose their gender or marital status. You say it like “mix”, and anybody can use it. I included this title in Ella’s instagram account because it represents that this character is not defined by gender, she’s just here to sparkle.

I love wordplay and language arts, so I had to incorporate that in my drag name. “Ella Minnow Pea” (Mark L. Dunn) is the title of one of my favourite novels, and the message behind the book fits perfectly with my drag mission. Here’s the description from the back of the book:

Ella Minnow Pea is a girl living happily on the fictional island of Nollop off the coast of South Carolina. Nollop was named after Nevin Nollop, author of the immortal phrase containing all the letters of the alphabet, “The quick brown fox jumps over the lazy dog”. Now Ella finds herself acting to save her friends, family, and fellow citizens from the encroaching totalitarianism of the island’s council, which has banned the use of certain letters of the alphabet as they fall from a memorial statue of Nevin Nollop. As the letters progressively drop from the statue, they also disappear from the novel. The result is both a hilarious and moving story of one girl’s fight for freedom of expression and a linguistic tour de force sure to delight word lovers everywhere.

In addition to the parallels between Ella’s character and my drag character, the name “Ella Minnow Pea” is an alphabet joke, because it sounds just like “L M N O P”, hence why it was chosen for a story about letters. As a drag artist with the goal of promoting literacy and a love for reading, I think this funny name is perfect. I also think it’s perfect because some people like to make fun of LGBTQ+ people by calling us “the alphabet people”, and sometimes we reclaim this label with love. In fact, I once had an angry woman follow me out of a swimming pool to tell me some hurtful and factually incorrect things about myself as a Queer person. As her final jab, she shouted at me across the parking lot, “At least I’m not alphabetical!”, which gave me a good laugh, because it probably isn’t the most effective thing to say if you want to hurt someone’s feelings. So by being Ella Minnow Pea, I am having a laugh about and proudly owning my title as an “alphabetical” person.

I usually struggle with technology, but I found it fairly easy to set up Ella’s instagram account. When I started typing out this post I expected to have lots to say about the process, but it only took me about five minutes which I’m quite happy about. I uploaded a simple background for the profile pic, added some pronouns, and included this bio:

☆A drag performer promoting literacy and inclusivity☆
★Busy serving looks and reading books in Ktunaxa ɁamakɁis★

I chose to note that I am in Ktunaxa ɁamakɁis, because I need to remember that this land is full of Ktunaxa history going back thousands of years before I showed up and put on some eyeshadow, and it’s still Ktunaxa land today. This is my responsibility as a person, but I think it’s even more important for me to acknowledge as a performer who wants to bring people together and make sure every child and family feels seen, respected, and celebrated. Saying the land’s name is a small step in a lifelong journey of promoting truth about Indigenous Peoples’ experiences and reconciliation of the trauma white teachers like myself caused through the Indian Residential School system.

Stay tuned for next week’s free inquiry post, by that time I will have my first story time video uploaded and will share a reflection of my whole free inquiry project.

Links:

https://www.litcharts.com/lit/ella-minnow-pea/summary

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