Category: EDCI 402

Retelling with Story Vines: Molly’s Tuxedo & The Paper Bag Princess

Last week our class was introduced to a fun literacy activity called “story vines”, brought to us by a suggestion from Robin Bright’s text Sometimes Reading is Hard (2021). On page 92 Bright mentions the story vine tradition originating in Africa; if you happen to know where exactly this practice originated, please let me know so I can give credit where it’s due. A story vine is a textile braid with trinkets attached to it (in chronological order, top to bottom) that represent the characters, plot, and setting of a story. The idea is that after reading or listening to a story, you create a vine to help crystallize and represent your understanding. Then the vine is used to re-tell the story, each trinket reminding the sharer of the important details while they fill in the rest with their memory (and perhaps a pinch of imagination). Here is a CBC article that I enjoyed about how Winnipeg teachers are using story vines to support Indigenous oral storytelling practices, specifically Cree flood and creation Stories.

Below is a story vine I made based on Molly’s Tuxedo (Vicki Johnson, 2023). To create my vine, I read the book, made a braid of yarn, gathered materials that reminded me of the story, then re-read the book in chunks, pausing at each distinct moment or motif to create a trinket to represent it. This worked great for me, but when doing this activity with grade two and three students, a more structured approach worked best.

Yesterday, our class visited a local bookstore to celebrate Paper Bag Princess day by reading the story in groups to a grade 2/3 class, then helping them create story vines based on the book. It was an incredibly fun day full of googly eyes and feathers, and it was great to see students successfully brainstorming, sketching, and then building their story vines. Something I noticed is that the process of creating the braids was challenging for some students to the point where adults ended up creating their braids for them. If I brought this activity to my class I’d love to have a separate lesson on braiding, so students could take the time to struggle and then experience the reward of making a braid. I might even teach french knitting, then have students save their knit cords to use as story vine bases later. Here is a video tutorial on french knitting if you’re interested:

Pictured below is a Paper Bag Princess story vine created by a student who gave me permission to share their work. I had the honour of helping them craft some of their trinkets, and here’s what they told me about their story vine, in order from top down:

  • the peg doll wrapped in gold pipe cleaner is princess Elizabeth in her fancy clothes
  • the peg doll wrapped in green felt is prince Ronald, being carried away by the green foam dragon
  • the orange and yellow pipe cleaners and felt triangles are the flames from the dragon burning the green pompom forests
  • the peg doll wrapped in brown foam is Elizabeth wearing her paper bag

Today, our class reunited with our grade 2/3 buddies at their school to watch them put their learning into action, using their story vines to retell The Paper bag Princess to their little buddies in kindergarten. This experience was truly more rewarding than I could have imagined! I watched as two buddies retold the story in careful detail, pointing to each trinket as they talked about what it represented. Even the buddy who seemed quite shy at first made meaningful and interesting contributions with his story vine, and from what I observed, I think it helped strengthen their storytelling confidence. I saw so much value in this activity that I would considering bringing it to a middle school classroom- I am thinking this could be an interesting way to represent timelines in social studies.

Here are the areas I saw students connecting to the B.C. English Language Arts Curriculum (grade 2 and grade 3) through both days of this learning experience:

Big Ideas:

  • Language and story can be a source of creativity and joy
  • Through listening and speaking, we connect with others and share our world

Curricular Competencies:

Content:

Thank you so very much to all the teachers, teacher candidates, community members, and hot glue sticks that made this learning experience possible!

Building a Diverse Classroom Library: What Diversity Are We Willing to Include?

The political climate in North America is tense right now, and teachers are certainly feeling it. I mean, of course we are- if one purpose of education is to “create democratic citizens”, then I think we have an inherently political job, although this is interpreted differently by each person who works in education. I feel that my political responsibility as a teacher is to push for further justice when us teachers get comfortable with whatever new status quo we have established. I was reminded of this responsibility yesterday when my teacher presented this beautiful book to the class, Julián is a Mermaid (Jessica Love, 2018). When I read it, I saw parts of my own queer childhood reflected in a realistic and loving way. This book would’ve meant the world to me as a kid.

Julián is a Mermaid, image by The Giving Project for Children

When I got home I thought about how in different places and times, Julián is a Mermaid would not even be allowed to enter a classroom, despite providing such important messages and being a high-quality text. I felt grateful my teacher proudly recommended this book, and that my classmates were comfortable enough to enjoy it. This made me think, “Now that we’re comfortable with books like these, what do we need to open our minds and hearts to next? How can we challenge ourselves to include the realities of all our students, not just the realities that we see as normal?” I went searching for a high-quality children’s picture book that would push the boundaries of what my classmates and our provincial curriculum define as diversity and inclusion. I also chose to (cheekily) reference our course text Read Alouds For All Learners (Ness, 2024) by only referencing the title: who do we mean when we say all learners? Does this only extend to all reading abilities? Are we ready to include the realities relevant to all our students in the books we offer?

How Mamas Love Their Babies, picture from Amazon.com

After reading the Radish article “15 Picture Books to Start a Radical Bookshelf”, I chose to explore How Mamas Love Their Babies, written by Juniper Fitzgerald and illustrated by Elise Peterson. I chose this book because it was recommended by a Black queer children’s book author (Gwendolyn Wallace), it has high-quality illustrations and text, and it’s radically inclusive of all mamas, even ones us teachers pretend don’t exist. Watch Woke Kindergarten’s read aloud below to see what I mean.

Read-aloud of How Mamas Love Their Babies, by Woke Kindergarten

Now that you’ve watched it, you know that this book was made with love by two amazing mamas, to remind kids that each mama does something different to provide for their family, and each one is motivated by the same love for their kids. You know that this book depicts uncomfortable realities, like the fact that some mamas are in prison, that some mamas protest the government, that some mamas breastfeed and don’t hide their chests. You know that this book tells kids that mamas who fly airplanes and mamas who dance in heels all night are just as loving, caring, and deserving of respect as one another. I want to put books like this one in my classroom, but at the same time, I am wary.

B.C.’s school library book selection guidelines, in my opinion, could easily be argued as for or against this specific book. On top of that, there are a small number of details in the book that I think students would be better off without seeing (e.g. the neon signs), although it would not be hard for me to cover these details. But what message would it send if I censored the jobs of some mamas, but not others? Would that do similar damage to not representing those mamas at all? I am not sure. I was probably expected to give an answer or opinion in this blog post, but to me, reflections that help us grow bring more questions than answers. So here are three more high-quality, radical picture books that would truly diversify a teacher’s book shelf, ones that I have not seen in any library yet. I love them, but I don’t know if I would keep them in my classroom. Would you? Let’s talk about it!

A Map for Falasteen, image by Amazon.com
A is for Activist, image by Amazon.com
Alphabet City Out On The Streets, image by Amazon.com

Literacy Stations: Capital Letter Spelling

This week I visited a local kindergarten class, where I ran a ten-minute literacy station for groups of roughly six students each. This experience was great practice for me, but not necessarily for the reasons I expected going in! Coming off a week away from school, I was a bit mixed up about my schedule, and I had it in my head that I was visiting a grade 2/3 split classroom. So, I designed an activity with this age group in mind: having students create crosswords of familiar words from handfuls of letter tiles. I chose a set of all-capital letter tiles, hoping to provide some practice in capital letter recognition to offset the fact that students have most of their experience spelling with and reading sequences of lowercase letters. As soon as I arrived, I realized this activity would not be the right level of challenge for this age group. Out of curiosity I did briefly try introducing two-word crosswords to the first group, and they showed me what kind of literacy station I should pivot to- one that revolved around names.

Image by author

When the first group sat down at my station, I introduced myself again and asked for each student’s name. Nearly all students announced they wanted to spell their own names for their first letter tile word, but many quickly hit some speed bumps when they did not recognize the capital versions of the typically lowercase letters in their names. This task of spelling names using only capital letters seemed to be just the right amount of challenging, so I ran with this activity while encouraging students to experiment with a variety of words that they felt ready to spell. This way, I was able to connect to the B.C. Curriculum’s English Language Arts big idea “playing with language helps us discover how language works”. After spelling their own names, students spelled the names of family members, classmates, and their last names. Without any instruction on my part, students were connecting to another big idea, “through listening and speaking, we connect with others and share our world”.Then, I encouraged students to see what other words were “inside” their names (e.g., “My name is Teacher Graham, and I see the word “ham” at the end of my name”).

Image by author

Two students in the final group exemplified the big idea of “playing with language” in the photo above, when they collaborated to invent a new word (which, if your interested, we agreed is pronounced “duh-nuh-mo-ee-ah”) which we worked as a team to sound out. This exciting moment where students were thinking outside the box with language reminded me that some mistakes such as my grade mix-up are really happy accidents. If I had come with the correct activity, I wouldn’t have been so open to letting students teach me.

VR and Literacy: Wolves in the Walls

Wolves in the Walls cover art (by Dave McKean), image from Weekend Notes UK

This week my class had the opportunity to return our district’s resource centre/ technology lab twice. On our first day, we read Wolves in the Walls (Gaiman, 2003), and then in pairs, walked each other through the VR adaptation of the book (Fable Studio, 2020). I found navigating the VR experience to be challenging as I had only used VR once before, but it was also rewarding to be able to struggle a bit and figure it out (isn’t that what learning is all about anyways?). As you might imagine from the cover art, Wolves in the Walls is a charmingly creepy book, equal parts fun and eerie- much like Coraline, another one of Neil Gaiman’s books which was later adapted into a movie. Aside from the gothic atmosphere and Dave McKean’s gorgeous surreal illustrations, the Wolves in the Walls book just didn’t really resonate with me. I felt that there was great potential in the story to acknowledge the themes of ownership, reality vs. imagination, or security, but it turned out to be a missed opportunity. Regardless, I can understand why this book is a fun read for many students, and I do think I would have enjoyed it at that age purely for the suspense and excitement. After practicing independently, my feelings about the VR adaptation were very similar. In times like these, I need to curb my bias by referring back to Sometimes Reading is Hard (Bright, 2021). Below is a quote the author selected that perfectly applies to this situation.

“You know what the best book of the year was? … The one that a striving
reader stuck with until the very end. The one that made a child ask for a
sequel. The one that a child saw themself in. If a book was loved by one, it’s the best book!”

(Tanaka, 2020)

The following day, our class partnered with students from a local elementary school at the technology lab to explore this story together, through both physical and digital formats. First we divided the book into sections and set up “reading stations” throughout the school, in little nooks and storage closets to mimic the setting of the story. Students were put in groups, which cycled through each of the physical locations where teacher candidates would read their respective story sections. I thought this was such a fun idea, and I think it was quite successful! The length of this story meant that without those breaks to move and the novelty of hearing new reading styles, I don’t know if all students would have been able to sit through the full book. I will certainly be borrowing this unique storytelling method for my classroom one day, and I think it connected to the grade 6 English Language Arts big idea “Language and text can be a source of creativity and joy.” While students weren’t necessarily enacting this curricular competency, I think that we were modelling “Use and experiment with oral storytelling processes” to them.

Wolves in the Walls VR experience cover, image from Meta Quest
Wolves in the Walls VR experience screenshot, image by ProVideo Coalition

Read Alouds: The Animal People Choose a Leader

Cover of The Animal People Choose a Leader, photo by author

When I stepped into EDCI 402 on the first day of the semester, Bridget George’s beautiful illustrated cover for The Animal People Choose a Leader (Wagamese, 2024) instantly caught my eye. This high-quality storybook is now one of my favourites, and regardless of which grade I end up teaching, I’ll always keep this one in my classroom library. Before this semester I would not have imagined bringing a storybook to an intermediate classroom, much less teaching an effective and engaging lesson based on one. When I think about why that is, I recall my own elementary school experience, where picture books (particularly fiction ones) stopped being discussed or promoted after grade three. A combination of reading Read Alouds for All Learners (Ness, 2024), Sometimes Reading is Hard (Bright, 2021), and my recent in-situ experiences have shown me that it really doesn’t have to be this way. Below is the Read Aloud Planning Template (Ness, 2024) my classmate and I used to structure our three read aloud sessions in a grade six classroom, all based on The Animal People Choose a Leader of course. In between, you’ll find my notes on how the read alouds went, and what I would change going forward.

Text from The Animal People Choose a Leader, photo by author

I felt a bit uncertain heading into the first classroom session, but I left feeling confident. As I mentioned earlier, I didn’t know if a picture book would resonate with this age group, but it completely did. My classmate/teaching partner came up with some fun and engaging team building exercises for the students, and I could tell from their laughs and smiles that they had fun. One thing I would change if I could do it again is that before starting the book, I’d provide a bit more explicit teaching about the Ojibwe nations that the author and illustrator call home. I was worried about taking too much time, and realized afterwards that this would’ve been very worthwhile to spend a few more minutes on. This realization hit me after I finished telling the students where Ojibwe homelands are and received blank stares. A classmate later told me that some of her students last year had not understood the distinctions between Ktunaxa culture and other Indigenous cultures, and I pieced together that the class I worked with may not yet have a nationwide frame of reference for Indigenous peoples.

One thing I enjoyed about our second session with the grade sixes is that I got to see students shine who had been more reserved in the previous activities. I think this is partly due to the fact that my classmate and I were not strangers this time, but I also think the quieter nature of the activities helped. During the recap discussion and vocab preview, more students were making contributions to the discussion, and I could really see the gears in their brains turning. One thing I wish I had done differently in this otherwise great session is to more clearly explain the distinction between descriptive language and descriptive language that pertains to the setting of the story. Some students had written great notes to build their maps from, but many of their descriptive words included were more relevant to the characters or plot.

It was exciting to see the class’s understanding of the story really come together during the third and final session. At this point the student seemed to be at their most comfortable, eager to participate, and ready to learn. Although the brainstorming and the physical process of writing proved to be a challenge for a few students, with support from peers and adults everyone was able to demonstrate their learning and creativity. By the time the activity had wrapped up, nearly a third of the class wanted to come to the front to read their stories out! This made me feel like the activity was a success, because students felt proud of their work. Similarly to the previous session, one thing I would do differently next time is to make the instructions even more explicit for students. I think that providing students with instructions on paper or on the SmartBoard to refer back to after the teachers had discussed the activity might make the goals more clear to everyone as they developed their ideas. Below are some samples (used with enthusiastic student permission) of the stories the class came up with:

All in all, these three weeks were a wonderful learning experience for me and were very fun. I do hope that all future students in my program have this same opportunity, because I found it to be so valuable. Thank you to the students, teachers, and educational assistants who made this possible for us!

The Book That Changed Everything

This semester, I’ll be documenting my learning through the course Reading Instructional Principles and Strategies on this blog. This week, I’ll be responding to this reading interest survey, taken and adapted from the textbook Sometimes Reading is Hard by Robin Bright (2021) with an emphasis on the first question (I am so excited to talk about fairies!).

  1. Describe your ‘one book’ that changed everything for you as a reader.

My ‘one book’ was Return to Fairyopolis (Cicely Mary Barker), gifted to me by my parents when I was about six. I was a very reluctant reader (to put it gently); I remember howling in anguish and crying when I was asked to practice reading aloud at home, even shutting myself in my room and holding the door closed once or twice. I was bursting with energy and creativity, and I did not want to waste my precious time on reading when I could be making art, exploring, or playing pretend. For those reasons, this book was exactly what I needed. I loved it so much because it engaged my senses and emotions in a way that traditional books rarely did. The front cover had an insert that revealed a hidden image when turned from side to side, encouraging me to pick up the book to begin with. It featured beautifully detailed illustrations of fairies dancing across the pages, leaving textured glitter behind as they flew. Many pages included interactive elements, such as tiny doors, pressed flower petals to be lifted, envelopes to be opened, and strings to be untied, revealing letters inside which I would read before tucking away.

This epistolary book blurred the lines between text and illustration, placing the illustrations woven between, even interacting with, the elegant handwritten text. This sparked my curiosity, inviting me to make the jump from using images to guess at words to truly decoding. Even though some of the words used were far too challenging for me, or were written in scripts that were hard to read, I genuinely wanted to understand them because real fairies had left them behind as clues for me. The scrapbook-style pages spotted with ink, tea cup circles, and pressed leaves reinforced the effect that the text wasn’t just an explanation of the illustrations, it was part of them and they were both needed to understand the story. The final page revealed a pop-up world of fairies, complete with enchanting music that played from a small battery in the back cover. This made the work of decoding the text incredibly rewarding, and kept me re-reading it, understanding more layers of meaning as my patient parents helped me with the words. I still had a brief period of reading struggles after discovering this book, but it has always stayed in my heart, reminding me of how magical books can be when you invest your time in understanding them.

  1. How do you feel about reading? Tell me about it.

I have very positive feelings about reading. It is something that I have felt confident in doing since the end of my grade three reading tantrums, and I particularly enjoy reading out loud to others. I find reading fun and relaxing, and some of my favourite moments in life are when I get the time to read in the forest in my hammock. I even enjoy reading most of my textbooks! Aside from personal enjoyment, I feel positively about reading, because it can be a low-cost, high reward activity for people of all ages. The unfortunate part is that I am quite a busy person, and I do not often make time to read.

  1. What types of books do you like to read?

I usually read expository or creative non-fiction books, but I also enjoy fiction sometimes. I do enjoy browsable books as well, and graphic novels or art collections.

  1. List some hobbies and things you like to do outside of school.

I enjoy fashion and interior design; I am always at the thrift store looking for treasures to add to my closet or walls. I love to be outside, biking, swimming in lakes, or hunting for rocks and gems. I dance and make art, and I always hope to do both of those more. Most recently, I’ve been having lots of fun learning to do drag makeup.

  1. Who are your favourite authors?

For how little I read, I have a relatively long list: Edward Gorey, Ibram X. Kendi, Robin Wall Kimmerer, Billy Ray Belcourt, Layla Saad, and Shaun Tan.

  1. Tell me a bit about the last book you read that you really enjoyed.

I am currently working through The Body Keeps the Score by Dr. Bessel Van Der Kolk. Some parts I find difficult to read as they are quite emotionally intense, but it is very informative and helpful to my work as a teacher.

  1. Tell me a bit about what you have been doing since last semester during your winter break. How have you been spending your time?

During the winter break, I visited my family and friends which was wonderful. Since coming home, I have spent most of my time doing schoolwork and working at my job. I am really looking forward to when I have time to do other things too. I have also been outside quite a bit (perhaps the reason for my never ending cold).

  1. What subjects or topics do you like learning about?

I like learning about so many different things: fashion and fashion history, ethnobotany, Ktunaxa language and culture, visual arts, current events, Celtic fairytales, deep sea creatures, rocks and gems, astronomy, just about everything!

  1. If you could read a book about one thing, what would that be?

Chinatown Pretty: Fashion and Wisdom from Chinatown’s Most Stylish Seniors (Andria Lo and Valerie Luu) is one of my favourites. I would absolutely love to find a similar book if it is out there, but if not, I will just hope to find it again one day to re-read. Below is a video where Andria and Valerie explain this gem of a book:


Chinatown Pretty by Andria Lo and Valerie Luu, Chronicle Books