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Safety Concerns For Drag Story Time (Free Inquiry Post #4)

Yes, being this fabulous IS exhausting sometimes. Because although there are always allies and co-conspirators here to stand up for and celebrate people like myself, there are always homophobic and transphobic people too. Along with the increased visibility of LGBTQ+ people over the past few years, there has been an increase in police-reported hate crimes against us (I will focus on Canada, but this effect has been observed in several other countries).

The RCMP reports that hate crimes targeting LGBTQ+ people increased by 150% between 2015 and 2020- keep in mind, this is only the police reported data. Some LGBTQ+ people don’t report for fear of being further mistreated or discriminated against based on other factors, such as being a Person of Colour or having past adverse experiences with police. When I searched for the full data set on Statistics Canada, I realized new data had been released, showing yet another large increase- from 2020 to 2023 the number of crimes against us jumped from 258 to 860 with a steady climb all the way through. That’s pretty scary to me.

I wanted to look into these statistics again as part of my free inquiry because I need be knowledgeable as a visibly queer person, especially since I would like to start my own drag story time project one day. Having a finger to the pulse of these cultural trends helps inform me about the risks of taking on such a project, and further reminds me that I need to prepare myself for the possibility of being targeted. The CBC video embedded below talks about Fay and Fluffy (from free inquiry post #2) and shows footage and interviews surrounding an instance of targeting that they experienced in 2023 while hosting a public drag story time event. I found it far from surprising that the video also mentioned white supremacist ideology being connected to anti-drag story time protests. I think this is important for me to be aware of, because although I am not at the receiving end of racism, many drag performers and families in their audiences are. Being reminded of this encourages me to do more personal learning about creating events that are especially safe for People of Colour.

So, because there are some scary possibilities out there for me, I decided to create a brainstorm list of ways I can take care of myself currently (and in the future) when things like this happen.

  1. Join Cranbrook Pride to have a supportive community to fall back on
  2. Connect with local drag performers and queer educators to create a support network and get advice
  3. Find co-conspirators and accomplices in my teacher community who can help me create safety plans if (hopefully, when) I am ready to host a public drag story time event
  4. Move slowly in this process, and only increase my visibility as a queer person when I feel ready to handle the potential risks that will come with more visibility

But despite the sad and frightening things happening in the world, I am still determined to fill it with rainbows and give kids the inclusive childhood experiences I wish I had. For more on creating beautiful and joyful queer experiences, read my next post!

Links:

https://rcmp.ca/en/corporate-information/publications-and-manuals/hate-crimes-and-incidents-canada#c8

https://www150.statcan.gc.ca/t1/tbl1/en/tv.action?pid=3510006601&cubeTimeFrame.startYear=2014&cubeTimeFrame.endYear=2023&referencePeriods=20140101%2C20230101

https://aninjusticemag.com/the-differences-between-allies-accomplices-co-conspirators-may-surprise-you-d3fc7fe29c

Weekly Reflection #4

(Response to prompt #1: Use Gibbs’ Reflective Cycle to discuss your in-situ at Marysville Elementary School this week)

Image from https://helendenheld.com/tag/gibbs-reflective-learning-cycle/

The Gibbs Reflective Cycle is a new idea to me, but I found it really helpful when looking back on my in-situ lesson this week. Honestly, I think I’ll print out a copy of the graphic above to reflect on in the future! I could see this method of reflection working well for social emotional situations as well as academic ones.

For this week’s lesson we created stop-motion videos with two grade 3 classes, and I’m going to outline each point in the Gibbs Reflective Cycle as it fits with my in-situ experience.

Description: What happened?

-My year two cohort visited a K-3 Elementary school in the area for an in-situ technology lesson. We introduced ourselves to the two grade 3 classes we were partnered with, then split into teaching pairs and each worked with a group of about 5 students. The students had already learned about using the Zing! Studios app, so when it came to creating the stop motion films they were very confident. The students used their “desk pets” (tiny stuffed animals) as the actors, and created props, backdrops, and a storyline in collaboration with the teaching pairs. When the filming was complete, the students edited, added sound effects, and then shared their creations with the class in a “movie premiere”.

Feelings: What were you thinking and feeling?

I felt so happy to be working in a classroom for this lesson, and I was thrilled that the students were just as excited to create stop motion videos as I was. At first I was nervous to be in a classroom while sick because I was starting to lose my voice, but for this lesson it wasn’t an issue and the students could understand me well. I felt very curious about how K-3 schools work, because before the lesson I actually did not know they existed (embarrassing, right?).

Evaluation: What was good and bad about the experience?

I’ll get the bad out of the way first because it’s pretty quick. In fact, it’s more like “slight room for improvement” than bad. The students enjoyed the lesson so much, I wish they had more time to work on their videos. My group of students had so many ideas about story elements, backgrounds, sound effects, and prop designs that I think it would be great to see them have two classes to fully realize these ideas. In a way that is also the good part- that students were so creative, collaborative, and joyful in this lesson, it really reminded me how amazing kids are and why I want to teach them.

Analysis: What sense can you make of the situation?

I think this wonderful lesson represents many classrooms, but I also have to remember that sometimes things don’t work so smoothly and that’s ok. I think many factors contributed to the success of the lesson, and those factors are not a given in elementary schools. For example, the two classes were grade 3 within a K-3 school, so their way of being probably reflects the responsibility they feel as the oldest students in their school. The two classes were also quite used to the team teaching approach, as were there respective teachers. I think this made collaboration extra smooth, and perhaps even prepared students for staying regulated in large groups of people. I also know from experience that students may act very differently in front of new guests, based on the time of day, and based on all the complex factors in their personal lives that allow them to regulate and learn more easily.

Conclusion: What else could you have done?

I think that I could’ve been more direct in helping the student group with time management. Even though the video came together in the end and the group was proud of their work, the storyboard portion of the lesson took up a bit more time than the budget allowed for. Shortening the group’s storyboard session would’ve allowed them for more time to create props, which they were very excited about but didn’t get much time to do. I also think I could’ve had a quick huddle with my teaching partner before starting the lesson to make sure we were on the same page about divvying up the talking portions, because I worry that I may have used up too much of the air time.

Action plan: If it arose again, what could you do?

If (or more accurately, when) a similar teaching scenario arises, I want to ensure I budget well for time and am not dominating the teaching/learning conversation. I have a personal time-budgeting method I use for essay writing, where I will write down on a paper the amounts of time each portion will take and then move to the next portion as each time stamp passes on the clock, crossing them off as I go. I think something similar to this would be worth a try in the classroom. As I said in the previous paragraph, I would also like to have a 30 second chat with my teaching partner before starting to make a game plan for delivering the lesson as a team.

Drag Stories Across Cultures (Free Inquiry Post #3)

The gorgeous garage above features a version of the progress pride flag, designed in 2018 by Daniel Quasar. The progress pride flag is a redesign of the 1978 pride flag by Gilbert Baker, but with a few key differences. The progress flag features a large triangle pointing to the right, symbolizing the need to keep “moving forward” and progressing towards true inclusivity. The black and brown stripes represent People of Colour who are LGBTQ+, and the pastel stripes represent trans people. This flag features a raised fist, a powerful symbol for the Black Lives Matter Movement that also represents solidarity between many marginalized groups of people. There are other versions of the progress flag to represent specific cultures- for example, a circled double-feather emblem and occasionally medicine wheel are added to represent Two-Spirit and Indigiqueer identities, and the unique experiences of Indigenous people in the LBGTQ+ community. The image below shows another beautiful use of pride flags, incorporated in a sign welcoming refugees to Canada.

Pride flags come in so many unique designs like the people who carry them, because culture, gender identity, and sexual orientation have always been intertwined. Just like the word “hygge” (Danish) has no English equivalent, identities like Kinner (Hindi), Niizh manidoowag (Anishinabeemowin), Yinyang Ren (Mandarin), Boi (African American Vernacular English) or Fa’afafine (Samoan), are so culturally specific and rich in history that other languages usually can’t describe them in one term. In fact, nearly all cultural identities can only be held by a person belonging to that culture because of these rich and complex histories.

But why does this matter for drag story hour? Because children, parents, families (absolutely everyone) deserves to be seen and celebrated, and children- the typical crowd of drag story hour- are at crucial points of developing self-image and worldview. When children see themselves (in terms of cultural or LGBTQ+ identities, or both) represented in positive and accurate ways, it allows them to feel proud of who they are and choose strong role models. There are also important benefits for children who see people different than themselves represented well- it shapes the way they view people, and therefore how they treat them.

This is why drag representation is important not just for uplifting the diverse gender expressions of people, but also for celebrating the diverse cultures people belong to. While I researched for this blog post, I saw came across some amazing artists bringing cultural representation to kids through the DSH organization. Here they are, I strongly recommend giving them a follow or watching their content if you’d like to learn more:

-Landa Lakes (from the Chickasaw Nation) and Lady Shug (from the Dine’ Tribe) on their “La La Landback Tour” https://www.instagram.com/dragstoryhour/reel/CzLx4Tgu8kd/

– Papi Churro and La Dede Camacho celebrate Latine Heritage Month with Drag Story Hour https://www.instagram.com/p/DARcthkRPLI/ https://www.instagram.com/p/DAOARwaRG2F/

– Stormie Daie teaches children about Juneteenth and celebrates African American Scientist and Inventor Day with STEM stories https://www.instagram.com/p/C8ZcYnlxnW4/ https://www.instagram.com/p/C3yr1jNRvH4/

-Harmonica Sunbeam celebrates National Freedom Day with the story “Black is a Rainbow Colour” https://www.instagram.com/p/C2xDuNJuzGH/

Links:

https://www.vam.ac.uk/articles/the-progress-pride-flag#:~:text=The%20Progress%20Pride%20flag%20was,for%20a%20more%20inclusive%20society.

https://www.moma.org/collection/works/192373#:~:text=The%20design%20was%20conceived%20by,for%20serenity%2C%20and%20violet%20for

https://www.tandfonline.com/doi/full/10.1080/03626784.2020.1864621#abstract

3rd Reflection Post: Stop-Motion Animation

(Response to prompt #4: Discuss your group’s creation and how you envision using stop motion videos in the classroom)

This week, we had the opportunity to make stop-motion videos in small groups in class. I worked with two lovely teaching program classmates to create the fun stop-motion video below.

We had so much fun making this that when our teacher reminded us class was nearly over, we asked for a few more minutes to add a soundtrack! I was surprised to enjoy using technology (the Zing Studio mobile app) so much, it’s now something I would strongly consider introducing to my future classroom.

The video we created is very silly and abstract, but there is something of a story happening here. A fire starts burning, but once the flame grows big a wave of water douses it and evaporates. One of the leftover water droplets turns into a rainbow that grows bigger and explodes. Bits of the fire, water, and rainbow all mix together, then one of the pieces begins to “eat” the other ones (a bit like Pac Man). Finally, the four surviving pieces bump into each other in the middle and explode away.

For the soundtrack, we just played the video while recording the noises of blocks clicking and sliding together in real time. I liked this feature in the app because it was so simple and accessible, my group was able to record and add our soundtrack in under one minute. I think this video was especially fun because it demonstrates that very simple wood toys can spark so much creativity in all ages. As we worked we noticed simple qualities like the sounds, colours, and textures of the blocks were quite interesting- it felt like being a curious kid again.

My group was all very excited to bring stop-motion projects into our classrooms one day by the end of it, which I think is interesting because it’s not a project I would’ve previously thought of as being “exciting” (sorry stop motion, no offense). In fact, I enjoyed it so much that my key adaptation would likely be giving students more time to create videos and soundtracks, perhaps even props or backgrounds.

I would consider splitting this activity over two classes: during one students could create props, backgrounds, and film, and during the next students could edit, add a soundtrack, and present their videos. I would definitely add time for students to share their videos because after my group was done, we were so excited to share our creation and see what everyone else made. I think this would be great for students because feeling proud of your work and using it to connect with classmates is a great way to keep students engaged and curious in school.

Drag Story Hour: On the Big Screen! (Free Inquiry Post #2)

The first time I remember hearing of Drag Story Hour, it was around 2016 through a United Church Observer magazine from my granny. Fay Slift and Fluffy Soufflé, two Toronto based queens, were featured in an article about the Drag Story Hours the duo were hosting. I know what you might be thinking: “There’s nothing positive a church magazine could possibly have to say about gay people”. But if you know of the United Church’s belief system, you won’t be surprised to hear that this was a beautiful article celebrating us and our contributions.

Reading this was a pivotal moment for me, because seeing the positive reception of DSH by non-queer people, especially religious ones, showed me that the world might be more ready for us. This seems to be both true and untrue at once, because the world is complicated. A few years later (2022) Fay and Fluffy’s names popped up again when I heard about The Fabulous Show, which is basically their drag story project translated into a kids TV program on Family Jr. I was thrilled that a show like this had made it into mainstream media, because I know that as a child seeing myself reflected in this way would’ve helped me feel more so much more comfortable in my own identity. This was the moment where I felt the world had become better equipped to handle us, in all our glitter and pizzaz.

But again, because the world is complicated, this boost in drag queen visibility came with a tsunami of backlash. I probably don’t need to give you proof, but if you haven’t seen it yourself, look at the reviews for and articles about The Fabulous Show. A lot of people are very angry and very afraid of us, and it hurt my heart to hear some of the things people had to say. But my heart was also warmed by the glowing reviews left by many other parents. Digging more into the public reception of The Fabulous Show reminded me that visibility is a bit of a paradox, because when the whole internet is in your audience, there’s inevitably going to be people who didn’t buy tickets to the show.

Part of the safety of DSH in libraries is that the chance of someone in opposition taking the time to show up is probably much slimmer, so even though there is still backlash, the floodgates aren’t fully open. On top of that, people seem to be more embarrassed by their bad behaviour when they are physically present. With these things considered, I gravitate more to the idea of DSH being an in-person event if I ever were to host one- which is something I have been considering for a while. I am so grateful for the existence of The Fabulous Show with Fay and Fluffy, and it is a resource I will certainly share with others, but this week’s research has shown me that I am not ready for the risk of participating in digital Drag Story Hour.

Sources:

https://www.familyjr.ca/shows/the-fabulous-show-with-fay-and-fluffy

https://www.instagram.com/fabulousshowtv/?hl=en

2nd Reflection Post: My Digital Footprint

(Response to prompt #2: My Own Digital Footprint)

I researched my digital footprint this week because I’ve heard stories of people who expect to find nothing and are surprised at how much the internet knows about them. I went into this exercise expecting to find little to nothing, and I was fully unsurprised by the end of it. I began with a Google search of my name, trying with and without my full birth name and every variation. I added details such as my hometown, schools attended, every form of social media I could think of, and the list goes on.

First, my empty and unused ResearchGate account popped up. Anything else I was able to find was something I was already fully aware of and had (thankfully) consented to be posted. It was all very mundane, a few run-of-the-mill news articles about community activities from my hometown, plus my high school’s graduation Instagram post. Reflecting on this, I felt grateful that people around me asked for my permission about these sorts of things. The few times my name or picture was shared, I remember always being with my family or school and being asked if I was ok with being mentioned or pictured.

Because my name is quite common in Canada and many English-speaking countries, results piled up for every search I did. Although obviously I was able to find my own social media accounts by typing in my usernames (which I can barely remember on my own), I wasn’t able to find any of my social media through searching my name and I think this is because a.) my name is so common, and b.) I’m rarely active on social media and when I am, I’m not doing anything exciting.

Being on Instagram led me to remember one thing I truly regret in my digital footprint, although I couldn’t find it. When I was 14 and freshly on Instagram, I made a very ignorant and hurtful white-saviour post. It was rude, belittling, and really, nobody asked for it. In my mind, I had thought I was being kind and uplifting, but it was the absolute opposite. I say this not to act as if I “didn’t know better”, because I did, but to highlight that intentions are not enough to steer us to make good choices- an important internet lesson I will teach my class one day.

It was my wise Mum who told me about 45 minutes later to delete it, and after becoming unreasonably defensive (as white people often do when we realize we are wrong) I listened. No evidence of the awful post has arisen to this day, and I still don’t know for sure if it affected anyone, but that doesn’t mean there weren’t consequences. This is another internet lesson I want to teach my class: that even if you could perfectly erase something from social media, what matters the most is how it affects the people who saw it.

The Beginning of Drag Story Hour (Free Inquiry Post #1)

For my free inquiry project, I chose to explore “Drag Story Hour”, a fabulous cultural phenomenon that began around ten years ago and has attracted lots of media attention recently. So, how did drag story hour begin? It was a dark and stormy night in San Francisco, and the year was 2015. Author and parent, Michelle Tea, noticed a lack of community events for children and families that were inclusive and embracing of Queer people like herself. So, under the leadership of Julián Delgado Lopera and Virgie Tovar, alongside  RADAR Productions (a non-profit literary arts organization that supports Queer, Trans, Black, Indigenous, and People of Colour) Michelle helped create the first formal Drag Queen Story Hour events.

DSH began with drag queens reading books to children in libraries, but it evolved to include drag kings, things, and all types of drag performers. In October 2022, Drag Queen Story Hour was renamed Drag Story Hour to reflect the diverse performers taking part. The general concept of DSH is that representation matters, and it is part of education and community building.

Whether you are a child in a queer family, a queer child, or simply a friend, attending DSH is a way to understand the gender and cultural diversity of people through a tailored age-appropriate lens. But aside from purely promoting literacy and showcasing diversity, drag story times are meant to be fun! Drag for adults is campy, silly, and dramatic, and drag for children and teens is no different in these core aspects. Drag story time is rooted in the idea that if you add joy (glitter and wigs) to learning, it will spark children’s interest and create life-long learners. As a teacher candidate who struggled with early reading myself, that’s an idea I can get behind.

Sources:

April 02, 2024: Celebrate storytelling through the art of drag! Drag Queen Story Hour is opening hearts and minds with fabulous storytellers.

https://www.dragstoryhour.org/about

https://northernontario.ctvnews.ca/the-truth-behind-drag-story-time-and-why-it-is-important-1.6562787

https://www.guidestar.org/profile/86-2721367#:~:text=We%20envision%20a%20world%20where,believe%20in%20and%20each%20other.

1st Reflection Post: Social Media

(Response to Prompt #3: Your experience with social media)

This image has an empty alt attribute; its file name is image-13-683x1024.png

My experience with social media has been fairly minimal compared to many of my peers. I got my first phone when I was fourteen years old, and had never owned a piece of digital technology before. My parents still have never used social media, so growing up it was very foreign to me. Even as an adult who grew up in the age of social media, I still don’t feel very internet literate. Part of this is by choice, because enough hours wasted watching funny cat videos made me feel as if I’d hit rock bottom. I used to get so distracted by social media that it disrupted my life in small ways: I’d find myself staring until my eyes got dry or ignoring my body’s signals to sleep so I could watch another thirty second tutorial on making the best sourdough bread.

When I recently downloaded Snapchat again to join an EKTEP group chat, I hoped I had the willpower to resist the dark intrigue of the internet this time. I did not. I spent an hour flipping through clips of things I don’t actually care about, and by the end I had learned nothing. I also messed my back up by awkwardly hunching over my phone, perfectly still, while I bombarded my brain with media. I was so consumed by it that my brain diverted the pain signals to the spam folder, and I wasn’t in touch with my physical body until I put the phone down. The real kicker is that while I spent an hour scrolling, I only spent about three minutes talking with my classmates- and it all could’ve taken place over text.

Now this might be an extreme example to some, but others with ADHD (and many without) can likely relate. The years I’ve spent without using social media, my knowledge of attention economics, my self-awareness, all felt unavailable to me as soon as I was plugged back in, and I was back doing what I was doing at fourteen. I know my neurotype predisposes me to distraction online, but in my experience it doesn’t seem any level personal effort removes the glaring issue that social media is addictive by design.

On the other hand, I have learned some things from social media. Instagram let me listen to people of diverse beliefs and backgrounds, and I needed that growing up in an overwhelmingly white middle-class neighbourhood in what I’ve been told is B.C.’s most conservative riding. Instagram sparked my engagement in politics as a teen, and provided me with directions to podcasts, authors, scholars, and activists that I still learn from today. I learned about my Queer identity through social media and was shown positive role models I still look up to and feel inspired by.

Instagram showed me the nitty-gritty details of the active struggles between marginalized groups and their oppressors around the world and in my own city. More importantly, it got me out at protests, voting in every election (yes, even school board), sitting at city hall, confronting my bosses, all that good stuff. But in between all that good stuff, I was up late defending issues that shouldn’t be up for debate against people who didn’t care and weren’t ready to listen. I was also up late watching funny cat videos. The amount of hurtful and even dangerous ideas about Queer people, not to mention every other marginalized group, is overwhelming on social media and it left me burnt out and sad. So I choose to learn in other ways, consume different media for entertainment, and make my social connections without the internet.

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